Magic Itself
Sir James George Frazer, The Golden Bough: a study of magic and
religion, 1890:
If we analyse the principles of thought on which magic is
based, they will
probably be found to resolve themselves into two: first, that like
produces
like, or that an effect resembles its cause; and, second, that things
which
have once been in contact with each other continue to act on each other
at a
distance after the physical contact has been severed. The former
principle may
be called the Law of Similarity, the latter the Law of Contact or
Contagion.
From the first of these principles, namely the Law of Similarity, the
magician
infers that he can produce any effect he desires merely by imitating it:
from
the second he infers that whatever he does to a material object will
affect
equally the person with whom the object was once in contact, whether it
formed
part of his body or not. Charms based on the Law of Similarity may be
called
Homoeopathic or Imitative Magic. Charms based on the Law of Contact or
Contagion may be called Contagious Magic. [...]
The other great branch of sympathetic magic, which I have called
Contagious
Magic, proceeds upon the notion that things which have once been
conjoined must
remain ever afterwards, even when quite dissevered from each other, in
such a
sympathetic relation that whatever is done to the one must similarly
affect the
other. Thus the logical basis of Contagious Magic, like that of
Homoeopathic
Magic, is a mistaken association of ideas; its physical basis, if we may
speak
of such a thing, like the physical basis of Homoeopathic Magic, is a
material
medium of some sort which, like the ether of modern physics, is assumed
to
unite distant objects and to convey impressions from one to the other.
The most
familiar example of Contagious Magic is the magical sympathy which is
supposed
to exist between a man and any severed portion of his person, as his
hair or
nails; so that whoever gets possession of human hair or nails may work
his
will, at any distance, upon the person from whom they were cut. This
superstition is world-wide[...]"
Georg Luck, Arcana Mundi, 1985:
In the present context, I would define magic as a
technique grounded in a
belief in powers located in the human soul and in the universe outside
ourselves, a technique that aims at imposing the human will on nature or
on
human beings by using supersensual powers. Ultimately, it may be a
belief in
the unlimited powers of the soul.
[...] Incidentally, the borrowing of names, concepts, and rituals
from foreign
religions is one of the characteristics of ancient witchcraft, as the
magical
papyri attest. Even though cities like Alexandria and Rome were already
full of
sanctuaries of exotic deities, apparently there was still room for more
speculation and more experiment. No doubt the religions of ancient Egypt
were
similarly misinterpreted or at least simplified by the Greeks of the
Hellensitic period who lived in Egypt, and these religious practices
survived,
through a series of transformations, in the mainstream of magical
doctrine.
Henry Cornelius Agrippa, Three Books of Occult Philosophy,
1651
Magick is a faculty of wonderfull vertue, full of most
high mysteries,
containing the most profound Contemplation of most secret things,
together with
the nature, power, quality, substance, and vertues thereof, as also the
knowledge of whole nature, and it doth instruct us concerning the
differing,
and agreement of things amongst themselves, whence it produceth its
wonderfull
effects, by uniting the vertues of things through the application of
them one
to the other, and to their inferior sutable subjects, joyning and
knitting them
together thoroughly by the powers, and vertues of the superior Bodies.
This is
the most perfect and chief Science, that sacred and sublimer kind of
Phylosophy, and lastly the most absolute perfection of all most
excellent
Philosophy.
Washington Irving, The Alhambra, 1894:
A word more to the curious reader. There are many persons
in these skeptical
times who affect to deride everything connected to the occult sciences,
or
black art; who have no faith in the efficacy of conjurations,
incantations, or
divinations; and who stoutly contend that such things never had
existence. To
such determined unbelievers the testimony of past ages is as nothing;
they
require the evidence of their own senses, and deny that such arts and
practices
have prevailed in days of yore, simply because they meet with no
instance of
them in the present day. They cannot perceive that, as the world became
versed
in the natural sciences, the supernatural became superfluous and fell
into
disuse, and that the hardy inventions of art superseded the mysteries of
magic.
Still, say the enlightened few, those mystic powers exist though in a
latent
state, and untasked by the ingenuity of man. A talisman is still a
talisman,
possessing all its indwelling and awful properties; though it may have
lain
dormant for ages at the bottom of the sea, or in the dusty cabinet of
the
antiquary.
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